Saturday, August 10, 2013

What's in a name?

Editing a book, as I have been all week, is one of the really fun bits of writing. Actually making the stuff up is hard, but this part of the process is a lot easier.  It isn’t finished yet but (keep those fingers crossed) the end is in sight.  Editing is where you can add the finishing touches, fill up the pot holes, smooth everything out and make sure that it all hangs together. 

However, the perennial problem of titles is now upon me.  You’d think, wouldn’t you, that after the  effort of writing an entire book, to think of three or, at the most five, words would be easy-peasy.  Yes, but those few words have got to do so much; attract a reader, tell them something about the book and – just as importantly – not mislead them about what sort of book it is.

It’s amazing how hard it can be to come up with the right title.  It has to be pithy, memorable, relevant. A few words – maybe one word - that will jump out at the reader from the bookshop shelf and inspire them to part with hard-earned cash. Geez.

 Names are often a good bet and carry their own baggage of expectation. You don’t pick up Emma, for instance thinking she’s going to turn into Dracula. (Which would be confusing but fun.) Or it may reflect the book’s theme:  Pride and Prejudice or Death on the Nile.

In the heyday of the gothic novel, you could get away with titles such as Geralda, The Demon Nun, which could still be – just about – be used today. Joanna Polenipper, Female Horse Stealer, Foot-Pad, Smuggler, Prison Breaker and Murderer is probably too wordy for modern tastes but you’d be wrong in thinking that Joanna came to a bad end. At the end of the book, “Joanna was transported for her crimes, retrieved her character in Australia, married a rich settler and lived for many years respected and beloved by all who knew her.”

 If you found Joanna’s unexpected embrace of virtue unsettling, you’d probably be better sticking to another novel of the 1830’s, Lovel Castle, where the anxious author told his readers exactly what they were getting:  Lovel Castle, or The Rightful Heir Restored, a Gothic Tale Narrating how a Young Man, the supposed son of a Peasant, by a train of Unparalleled Circumstances, not only discovered who were his Real Parents, but that they came to Untimely Deaths; with his Adventures in the Haunted Apartment, Discovery of the Fatal Closet, and the Appearance of the Ghost of his murdered Father; relating also how the Murderer was brought to Justice, with his Confession and the restoration to the Injured Orphan of his title and estates.

They don’t write them like that any more.










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